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Emily Rieker describes her experience with somatic practice for hand dystonia. Exercise and rest practice cues distinguishing personal testimony from treatment evidence. |
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Apostolos Paraskevas on creation, repertoire and continuation after hand problems. What does the interview offer to dystonics and why it cannot be read as a detailed treatment manual. |
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Billy McLaughlin on returning to guitar while suffering from persistent dystonia. Neurologist Alexander Pantelyat explains examination with the instrument, playing adjustments and individual treatment. |
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In The Puzzle Of Healing, Anna Détári describes proofreading dystonia, returning to the stage and working with the inner critic. Practical questions for individual retraining and its evaluation. |
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Aimee Stevland and Chelsea Richardson on drawing dystonia, the three pillars of retraining and the joy of movement. Practical suggestions for therapy, work and everyday life. |
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Trombonist David Vining talks about pressure dystonia and getting back to playing. Practical prompts to change assignments, breathing and finding an individual approach without promises of a quick cure. |
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Ruth Chiles on performance pressure, body perception and self-worth in focal dystonia. Practical insights from the podcast and distinguishing personal experience from treatment evidence. |
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Nancy Byl at Neuro Navigators explains examination and retraining for focal dystonia. Practical stimuli for tactile discrimination, home cooperation and return to activity. |
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Nancy Byl explains sensory and motor retraining for focal dystonia. What to bring to work with the hand, touch, the idea of movement and the pressure to perform? |
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In an interview with Jazz Biz 101, Dion Tucker shows focal dystonia as a crisis of technique, identity and livelihood. Summary for people with dystonia: do not seek a return to the old pattern by force, work with economy, help, openness and small safe steps. |